Tchaikovsky
www.tchaikovsky-research.net


Home > Works > Songs & Duets > Six Romances (Op. 57)

Six Romances

(Шесть романсов)

With piano accompaniment, Op. 57 (1884).

No. 1. Tell Me, What in the Shade of the Branches? (Скажи, о чем в тени ветвей)
Catalogue References TH 105 ; ČW 275
Date before September 1884
Text Vladimir Aleksandrovich Sollogub (1813–1882) [1], from Marta Petrovna's romance in his comedy-vaudeville Trouble from a Tender Heart (Беда от нежного сердца) (1850)
Language Russian
Key E major
Tempo/Section Listing Andante sostenuto (E major, 63 bars)
Instrumentation High voice + Piano
Autograph Location Unknown
First Publication Moscow: P. Jurgenson, 1885
Average Duration 3 minutes
Dedication Fyodor Petrovich Komissarzhevsky (1838–1905)
External Links IMSLP/Petrucci Music Library (downloadable score)
The Lied and Art Song Texts Page (text and translations)
No. 2. On the Golden Cornfields (На нивы желтые)
Catalogue References TH 105 ; ČW 276
Date September–November 1884
Text Aleksey Konstantinovich Tolstoy (1817–1875), from an untitled poem (1862)
Language Russian
Key F minor
Tempo/Section Listing Andante (F minor, 36 bars)
Instrumentation Baritone voice + Piano
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143)
First Publication Moscow: P. Jurgenson, 1885
Average Duration 4 minutes
Dedication Bogomir Bogomirovich Korsov (1843–1920)
External Links IMSLP/Petrucci Music Library (downloadable score)
The Lied and Art Song Texts Page (text and translations)
No. 3. Do Not Ask (Не спрашивай)
Catalogue References TH 105 ; ČW 277
Date September–November 1884
Text Aleksandr Nikolayevich Strugovshchikov (1845) — a translation from the German of Heiß mich nicht reden, in book 3 of the novel Wilhelm Meisters Lehrjahre (1795) by Johann Wolfgang von Goethe (1749–1832)
Language Russian
Key D minor
Tempo/Section Listing Adagio molto sostenuto (D major, 32 bars)
Instrumentation Medium voice + Piano
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143)
First Publication Moscow: P. Jurgenson, 1885
Average Duration 3 minutes
Dedication Emiliya Karlovna Pavlovskaya (1853–1935)
External Links IMSLP/Petrucci Music Library (downloadable score)
The Lied and Art Song Texts Page (text and translations)
No. 4. Sleep! (Усни!)
Catalogue References TH 105 ; ČW 278
Date September–November 1884
Text Dmitry Sergeyevich Merezhkovsky (1865–1941), from his poem of the same name (1884)
Language Russian
Key F major
Tempo/Section Listing Andante sostenuto (F major, 53 bars)
Instrumentation High voice + Piano
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143)
First Publication Moscow: P. Jurgenson, 1885
Average Duration 5 minutes
Dedication Vera Vasilyevna Butakova (1843–1923)
External Links IMSLP/Petrucci Music Library (downloadable score)
The Lied and Art Song Texts Page (text and translations)
No. 5. Death (Смерть)
Catalogue References TH 105 ; ČW 279
Date September–November 1884
Text Dmitry Sergeyevich Merezhkovsky (1865–1941), from an untitled poem (by 1883)
Language Russian
Key F minor
Tempo/Section Listing Moderato (F major, 75 bars)
Instrumentation Medium voice + Piano
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143)
First Publication Moscow: P. Jurgenson, 1885
Average Duration 3 minutes
Dedication Dmitry Andreyevich Usatov (1847–1913)
External Links IMSLP/Petrucci Music Library (downloadable score)
The Lied and Art Song Texts Page (text and translations)
No. 6. Only You Alone (Лишь ты один)
Catalogue References TH 105 ; ČW 280 (as "Only Thou Alone")
Date September–November 1884
Text Aleksey Nikolayevich Pleshcheyev (1825–1893), from an untitled poem (1884) — a translation from the German of Nur Du allein (1872) by Ada Christen (pseudonym of Christiane von Breden, 1844–1901) [7]
Language Russian
Key G major
Tempo/Section Listing Andante non troppo (F major, 36 bars)
Instrumentation Low voice + Piano
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143)
First Publication Moscow: P. Jurgenson, 1885
Average Duration 3 minutes
Dedication Aleksandra Pavlovna Krutikova (1851–1919)
External Links IMSLP/Petrucci Music Library (downloadable score)
The Lied and Art Song Texts Page (text and translations)

History

The earliest of the romances to be written was Tell Me, What in the Shade of the Branches? (No. 1). In a letter to Pyotr Jurgenson of 1/13 December 1884 (see below). the composer expressed his surprise at this discovery of this romance, which it seems he had forgotten about [2]. The exact time and place of its composition are uncertain.

The romances On the Golden Cornfields (No. 2) and Do Not Ask (No. 3) were composed at Pleshcheyevo in late September 1884. Before the rough draft of No. 2 in the composer’s notebook is the date "Pleshcheyevo, 26 Sept 1884" [O.S.]. Do Not Ask (No. 3) was composed next, and its text was probably chosen by Tchaikovsky after he read Goethe's novel The Apprenticeship of Wilhelm Meister ("God, how marvellous this is..."), which he found in Nadezhda von Meck's library at Pleshcheyevo [3].

The remaining three romances were written in Paris between 19 November/1 December (the date of his arrival) and 1/13 December 1884, when Tchaikovsky wrote to Pyotr Jurgenson: "I was very surprised to learn that Komissarzhevsky has my romance. Incidentally, I already have another five. Congratulations to you on my new opus" [4].

On the title page of Op. 57, Tchaikovsky made the following note:

1. On the Golden Cornfields
2. Do Not Ask!
3. Sleep!
4. Death
5. Only You Alone...
Five romances, and a sixth with Komissarzhevsky’s

Writing to Modest Tchaikovsky from Paris on 3/15 December 1884, the composer reported: "I cannot say that I am bored from idleness. I managed here to devise the main revisions to Vakula, and to write three new romances, and one church number" [5].

Rough copies of the two romances to texts by Dmitry Merezhkovsky can also be found in Notebook No. 16, following sketches for the revisions to Vakula the Smith, and the chorus To Thee We Hymn from Nine Church Pieces.

On the manuscript of the surviving five romances, Pyotr Jurgenson wrote: "Received in December 1884". The romances were published by Jurgenson in April 1885 [6].

Tchaikovsky made minor changes to the texts of the poems used in the romances On the Golden Cornfields (No. 2), Do Not Ask! (No. 3), Sleep! (No. 4), and more significant changes in Only You Alone (No. 6).

The romances are dedicated as follows: Tell Me, What in the Shade of the Branches? (No. 1) to Fyodor Komissarzhevsky; On the Golden Cornfields (No. 2) to Bogomir Korsov; Do Not Ask! (No. 3) to Emiliya Pavlovskaya; Sleep! (No. 4) to Vera Butakova; Death! (No. 5) to Dmitry Usatov; Only You Alone (No. 6) to Aleksandra Krutikova.

From: Музыкальное наследие Чайковского (1958), pp. 455–456
English text copyright © 2006 Brett Langston


Notes:
  1. In the original editions the author of the text is not stated. In the score published by Félix Mackar in Paris during the composer’s lifetime, the authorship is attributed to Vladimir Sollogub. [back]
  2. See letter 2615 to Pyotr Jurgenson, 1/13 December 1884 [back]
  3. See letters 2544 and 2554 to Modest Tchaikovsky, 7/19–11/23 September and 20 September/2 October 1884, and letter 2562 to Nadezhda von Meck, 1/13–3/15 October 1884 [back]
  4. Letter 2615 to Pyotr Jurgenson, 1/13 December 1884 [back]
  5. Letter 2617 to Modest Tchaikovsky, 3/15 December 1884 [back]
  6. Passed by the censor on 9/21 March 1885 [back]
  7. See Richard D. Sylvester, Tchaikovsky's Complete Songs: A Companion with Texts and Translations (2002), p. 203–204 [back]

This page was last updated on 12 February 2013