Six Romances
(Шесть романсов)
With piano accompaniment, Op. 57 (1884).
No. 1. Tell Me, What in the Shade of the Branches?
(Скажи, о чем в тени ветвей)
| Catalogue References |
TH 105 ; ČW 275 |
| Date |
before September 1884 |
| Text |
Vladimir Aleksandrovich Sollogub (1813–1882) [1], from Marta Petrovna's romance
in his comedy-vaudeville Trouble from a Tender Heart (Беда от
нежного сердца) (1850) |
| Language |
Russian |
| Key |
E major |
| Tempo/Section Listing |
Andante sostenuto (E major, 63 bars) |
| Instrumentation |
High voice + Piano |
| Autograph Location |
Unknown |
| First Publication |
Moscow: P. Jurgenson, 1885 |
| Average Duration |
3 minutes |
| Dedication |
Fyodor Petrovich Komissarzhevsky (1838–1905) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) The Lied
and Art Song Texts Page
(text and
translations) |
No. 2. On the Golden Cornfields (На нивы желтые)
No. 3. Do Not Ask (Не спрашивай)
| Catalogue References |
TH 105 ; ČW 277 |
| Date |
September–November 1884 |
| Text |
Aleksandr Nikolayevich Strugovshchikov (1845) — a translation from
the German of Heiß mich nicht reden, in book 3 of the novel Wilhelm Meisters Lehrjahre (1795) by Johann Wolfgang von Goethe
(1749–1832) |
| Language |
Russian |
| Key |
D minor |
| Tempo/Section Listing |
Adagio molto sostenuto (D major, 32 bars) |
| Instrumentation |
Medium voice + Piano |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143) |
| First Publication |
Moscow: P. Jurgenson, 1885 |
| Average Duration |
3 minutes |
| Dedication |
Emiliya Karlovna
Pavlovskaya (1853–1935) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) The Lied
and Art Song Texts Page
(text and
translations) |
No. 4. Sleep! (Усни!)
| Catalogue References |
TH 105 ; ČW 278 |
| Date |
September–November 1884 |
| Text |
Dmitry Sergeyevich Merezhkovsky (1865–1941), from his poem of the
same name (1884) |
| Language |
Russian |
| Key |
F major |
| Tempo/Section Listing |
Andante sostenuto (F major, 53 bars) |
| Instrumentation |
High voice + Piano |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143) |
| First Publication |
Moscow: P. Jurgenson, 1885 |
| Average Duration |
5 minutes |
| Dedication |
Vera Vasilyevna Butakova
(1843–1923) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) The Lied
and Art Song Texts Page
(text and
translations) |
No. 5. Death (Смерть)
| Catalogue References |
TH 105 ; ČW 279 |
| Date |
September–November 1884 |
| Text |
Dmitry Sergeyevich Merezhkovsky (1865–1941), from an untitled poem
(by 1883) |
| Language |
Russian |
| Key |
F minor |
| Tempo/Section Listing |
Moderato (F major, 75 bars) |
| Instrumentation |
Medium voice + Piano |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143) |
| First Publication |
Moscow: P. Jurgenson, 1885 |
| Average Duration |
3 minutes |
| Dedication |
Dmitry Andreyevich Usatov (1847–1913) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) The Lied
and Art Song Texts Page
(text and
translations) |
No. 6. Only You Alone (Лишь ты один)
| Catalogue References |
TH 105 ; ČW 280 (as "Only Thou Alone") |
| Date |
September–November 1884 |
| Text |
Aleksey Nikolayevich
Pleshcheyev (1825–1893), from an untitled poem (1884) — a translation
from the German of Nur Du allein (1872) by Ada Christen (pseudonym
of Christiane von Breden, 1844–1901) [7] |
| Language |
Russian |
| Key |
G major |
| Tempo/Section Listing |
Andante non troppo (F major, 36 bars) |
| Instrumentation |
Low voice + Piano |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 143) |
| First Publication |
Moscow: P. Jurgenson, 1885 |
| Average Duration |
3 minutes |
| Dedication |
Aleksandra Pavlovna Krutikova (1851–1919) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) The Lied
and Art Song Texts Page
(text and
translations) |
History
The earliest of the romances to be written was Tell Me, What in the Shade
of the Branches? (No. 1). In a letter to Pyotr Jurgenson of 1/13 December
1884 (see below). the composer expressed his surprise at this discovery of this
romance, which it seems he had forgotten about [2]. The exact time and place of its
composition are uncertain.
The romances On the Golden Cornfields (No. 2) and Do Not Ask
(No. 3) were composed at Pleshcheyevo
in late September 1884. Before the rough draft of No. 2 in the composer’s notebook
is the date "Pleshcheyevo, 26
Sept 1884" [O.S.]. Do Not Ask (No. 3) was composed next, and its text was probably chosen
by Tchaikovsky after he read Goethe's novel The Apprenticeship of Wilhelm
Meister ("God, how marvellous this is..."), which he found in Nadezhda von Meck's library
at Pleshcheyevo [3].
The remaining three romances were written in Paris between 19 November/1 December
(the date of his arrival) and 1/13 December 1884, when Tchaikovsky wrote to Pyotr Jurgenson: "I was very
surprised to learn that Komissarzhevsky has my romance. Incidentally, I already
have another five. Congratulations to you on my new opus" [4].
On the title page of Op. 57, Tchaikovsky made the following note:
1. On the Golden Cornfields
2. Do Not Ask!
3. Sleep!
4. Death
5. Only You Alone...
Five romances, and a sixth with Komissarzhevsky’s
Writing to Modest Tchaikovsky
from Paris on 3/15 December 1884, the
composer reported: "I cannot say that I am bored from idleness. I managed here
to devise the main revisions to Vakula,
and to write three new romances, and one church number" [5].
Rough copies of the two romances to texts by Dmitry Merezhkovsky can also
be found in Notebook No. 16, following sketches for the revisions to Vakula the Smith, and the chorus To Thee We Hymn from Nine Church
Pieces.
On the manuscript of the surviving five romances, Pyotr Jurgenson wrote: "Received
in December 1884". The romances were published by Jurgenson in April 1885 [6].
Tchaikovsky made minor changes to the texts of the poems used in the romances On the Golden Cornfields (No. 2), Do Not Ask! (No. 3), Sleep! (No. 4), and more significant changes in Only You Alone (No. 6).
The romances are dedicated as follows: Tell Me, What in the Shade of the
Branches? (No. 1) to Fyodor Komissarzhevsky; On the Golden Cornfields
(No. 2) to Bogomir Korsov; Do Not Ask! (No. 3) to Emiliya Pavlovskaya; Sleep! (No. 4) to Vera Butakova; Death! (No. 5) to Dmitry Usatov; Only You Alone (No. 6) to Aleksandra
Krutikova.
From:
Музыкальное наследие Чайковского (1958), pp. 455–456
English text copyright © 2006 Brett Langston
Notes:
- In the original editions the author of the text is
not stated. In the score published by Félix Mackar in Paris during the composer’s lifetime,
the authorship is attributed to Vladimir Sollogub. [back]
- See letter 2615 to Pyotr Jurgenson, 1/13 December
1884 [back]
- See letters 2544 and 2554 to Modest Tchaikovsky,
7/19–11/23 September and 20 September/2 October 1884, and letter 2562 to Nadezhda von Meck, 1/13–3/15
October 1884 [back]
- Letter 2615 to Pyotr Jurgenson, 1/13 December
1884 [back]
- Letter 2617 to Modest Tchaikovsky,
3/15 December 1884 [back]
- Passed by the censor on 9/21 March 1885 [back]
- See Richard D. Sylvester,
Tchaikovsky's Complete Songs: A Companion with Texts and Translations
(2002), p. 203–204 [back]
|