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Children's Album

(Детский альбом)

24 simple pieces à la Schumann, Op. 39 (1878) [1]

No. 1. Morning Prayer (Утренная молитва)
Catalogue References TH 141 ; ČW 150
Date May–July 1878
Key G major
Tempo/Section Listing Andante (G major, 24 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 2. Winter Morning (Зимнее утро)
Catalogue References TH 141 ; ČW 151
Date May–July 1878
Key B minor
Tempo/Section Listing Allegro (B minor, 64 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 3. Playing Hobby-Horses (Игра в лошадки)
Catalogue References TH 141 ; ČW 152
Date May–July 1878
Key D major
Tempo/Section Listing Presto (D major, 72 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 4. Mama (Мама)
Catalogue References TH 141 ; ČW 153 (as "Mummy")
Date May–July 1878
Key G major
Tempo/Section Listing Moderato (G major, 36 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 5. March of the Wooden Soldiers (Марш деревянных солдатиков)
Catalogue References TH 141 ; ČW 154
Date May–July 1878
Key D major
Tempo/Section Listing Moderato (D major, 48 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 6. The Sick Doll (Болезнь куклы)
Catalogue References TH 141 ; ČW 155 (as "The Dolls Illness")
Date May–July 1878
Key G minor
Tempo/Section Listing Moderato (G minor, 42 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 3 minutes
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 7. The Dolls Funeral (Похороны куклы)
Catalogue References TH 141 ; ČW 156
Date May–July 1878
Key C minor
Tempo/Section Listing Adagio (C minor, 48 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 2 minutes
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 8. Waltz (Вальс)
Catalogue References TH 141 ; ČW 157 (as "Waltz")
Date May–July 1878
Key E major
Tempo/Section Listing Allegro assai (E major, 85 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 9. The New Doll (Новая кукла)
Catalogue References TH 141 ; ČW 158 (as "The New Doll")
Date May–July 1878
Key B major
Tempo/Section Listing Allegro (B major, 57 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 10. Mazurka (Мазурка)
Catalogue References TH 141 ; ČW 159
Date May–July 1878
Key D minor
Tempo/Section Listing Allegro non troppo, Tempo di mazurka (D minor, 52 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 11. Russian Song (Русская песня)
Catalogue References TH 141 ; ČW 160
Date May–July 1878
Key F major
Tempo/Section Listing Allegro (F major, 30 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 12. The Accordion Player (Мужик на гармонике играет)
Catalogue References TH 141 ; ČW 161 (as "The Russian Peasant Plays the Harmonica")
Date May–July 1878
Key B major
Tempo/Section Listing Adagio (B major, 22 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 13. Kamarinskaya (Камаринская)
Catalogue References TH 141 ; ČW 162 (as "Kamarinskaya")
Date May–July 1878
Key D major
Tempo/Section Listing Vivace (D major, 49 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 14. Polka (Полька)
Catalogue References TH 141 ; ČW 163
Date May–July 1878
Key B major
Tempo/Section Listing Moderato. Tempo di Polka (B major, 30 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 15. Italian Song (Итальянская песенка)
Catalogue References TH 141 ; ČW 164
Date May–July 1878
Key D major
Tempo/Section Listing Moderato assai (D major, 49 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 16. Old French Song (Старинная французская песенка)
Catalogue References TH 141 ; ČW 165
Date May–July 1878
Key G minor
Tempo/Section Listing Molto moderato (G minor, 32 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 17. German Song (Немецкая песенка)
Catalogue References TH 141 ; ČW 166
Date May–July 1878
Key E major
Tempo/Section Listing Molto moderato (E major, 26 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 18. Neapolitan Song (Неаполитанская песенка)
Catalogue References TH 141 ; ČW 167
Date May–July 1878
Key E major
Tempo/Section Listing Andante (E major, 54 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
Notes Based on the Danse napolitaine from Act III of the ballet Swan Lake.
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 19. Nanny's Story (Нянина сказка)
Catalogue References TH 141 ; ČW 168 (as "Nurse's Tale")
Date May–July 1878
Key C major
Tempo/Section Listing Moderato (C major, 48 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 20. The Sorcerer (Баба-Яга)
Catalogue References TH 141 ; ČW 169 (as "Old Witch")
Date May–July 1878
Key E minor
Tempo/Section Listing Presto (E minor, 45 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 21. Sweet Dreams (Сладкая греза)
Catalogue References TH 141 ; ČW 170 (as "Sweet Dream")
Date May–July 1878
Key C major
Tempo/Section Listing Moderato (C major, 48 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 2 minutes
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 22. Lark Song (Песня жаворонка)
Catalogue References TH 141 ; ČW 171 (as "Lark's Song")
Date May–July 1878
Key G major
Tempo/Section Listing Moderato (G major, 32 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 23. The Organ-Grinder Sings (Шарманщик поет)
Catalogue References TH 141 ; ČW 172
Date May–July 1878
Key G major
Tempo/Section Listing Andante (G major, 32 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 1 minute
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)
No. 24. In Church (В церкви)
Catalogue References TH 141 ; ČW 173 (as "In the Church")
Date May–July 1878
Key E minor
Tempo/Section Listing Moderato (E minor, 52 bars)
Instrumentation Piano (solo)
Autograph Location Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No. 121)
First Publication Moscow: P. Jurgenson, 1878
Average Duration 3 minutes
Dedication Vladimir Davydov (1871–1906)
External Links IMSLP/Petrucci Music Library (downloadable score)

History

In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann’s" [2].

Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like [Schumann’s] Kinderstück" [3]. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start work on my collection of miniatures for children".

On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I’m working well and have done rather a lot" [4]. On 4/16 May the sketches for all 24 pieces were ready [5]. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July [6].

By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom [7].

On 29 July/10 August the manuscript of the Children’s Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow [8]. In October, after the proofs had been corrected, the album was published [9].

The Children’s Album is dedicated to Tchaikovsky's favourite nephew, Vladimir Davydov [10]. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petia, and that on it is written Dedicated to Volodia Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he’s playing, and he might look at the notes, and think that a whole symphony is dedicated to him" [11].

Several pieces from the cycle make use of authentic folk tunes. The Russian Song (No. 11) is based on the theme of the folk song "Голова ль ты моя головушка". In Kamarinskaya (No. 12) the composer makes use of a Russian folk theme. Italian folk melodies appear in the Neapolitan Song (No. 18)—which also occurs in the ballet Swan Lake—and in the Italian Song (No. 15) [12]. Yet another Italian tune forms the basis for the piece The Organ Grinder Sings (No. 23) [13]; this same tune is used in the middle section of the piece Reverie interrompue—No. 12 of the Twelve Pieces (Op. 40) [14]. The theme of the Old French Song (No. 16) was used again in the opera The Maid of Orleans (in the minstrels' song from Act II).

From: Музыкальное наследие Чайковского (1958), pp. 409–411
English text copyright © 2006 Brett Langston


Notes
  1. The sequence of numbers differs in Tchaikovsky's autograph score [back]
  2. Letter 820 to Nadezhda von Meck, 30 April/12 May 1878 [back]
  3. Letter 761 to Pyotr Jurgenson, 14/26 February 1878. At this time he began to write the Twelve Pieces (Op. 40) [back]
  4. Letter 822 to Anatoly Tchaikovsky, 1/13 May 1878 [back]
  5. See letter 823 to Nadezhda von Meck, 4/16 May 1878 [back]
  6. See letter 871 to Nadezhda von Meck, 13/25 July 1878 [back]
  7. See letter 876 to Nadezhda von Meck, 21 July/2 August 1878 [back]
  8. See letter 883 to Pyotr Jurgenson, 29 July/10 August 1878 [back]
  9. See letter from Pyotr Jurgenson to Tchaikovsky, 16/28 November 1878 — Klin House-Museum Archive [back]
  10. See letter 977 to Nadezhda von Meck, 24 November/6 December 1878 [back]
  11. Letter 757 to Lev Davydov, 12/24 February 1878 [back]
  12. See letter 692 to Nadezhda von Meck, 16/28 December 1877, and letter 759 to Anatoly Tchaikovsky, 13/25–14/26 February 1878 [back]
  13. See sketch in letter 692 to Nadezhda von Meck, 16/28 December 1877 [back]
  14. Modest Tchaikovsky, Жизнь Петра Ильича Чайковского, том 2 (1901), p. 205 [back]

This page was last updated on 16 February 2013