Six Pieces
Шесть пьес
For piano solo, Op. 19 (1873).
No. 1. Rêverie du soir (Вчерние греэы)
| Catalogue References |
TH 133 ;
ČW 117 (as "Evening Reverie") |
| Date |
September–October 1873 |
| Key |
G minor |
| Tempo/Section Listing |
Andante espressivo (G minor, 82 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow: Glinka State
Central Museum of Musical Culture (ф. 88, No.
111) |
| First Publication |
Moscow: P. Jurgenson,
1874 |
| Average Duration |
4 minutes |
| Dedication |
Nikolai
Dmitrievich Kondrat'ev (1832–1887) |
| External Links |
Internet Music Score Library
Project
(downloadable score) |
No. 2. Scherzo humoristique (Юмористическое
скерцо)
| Catalogue References |
TH 133 ;
ČW 118 (as "Humorous Scherzo") |
| Date |
September–October 1873 |
| Key |
D major |
| Tempo/Section Listing |
Allegro vivacissimo (D major, 316 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow: Glinka State
Central Museum of Musical Culture (ф. 88, No.
111) |
| First Publication |
Moscow: P. Jurgenson,
1874 |
| Average Duration |
4 minutes |
| Dedication |
Vera Viktorovna Timanova
(1855–1942) |
| External Links |
Internet Music Score Library
Project
(downloadable score) |
No. 3. Feuillet d'album (Листок из альбом)
No. 4. Nocturne (Ноктюрн)
| Catalogue References |
TH 133 ;
ČW 120 |
| Date |
September–October 1873 |
| Key |
C♯ minor |
| Tempo/Section Listing |
Andante sentimentale (C♯ minor,
66 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow: Glinka State
Central Museum of Musical Culture (ф. 88, No.
111) |
| First Publication |
Moscow: P. Jurgenson,
1874 |
| Average Duration |
4 minutes |
| Dedication |
Monika Terminskaia |
| Note |
Also arranged for cello with orchestra by Tchaikovsky in 1888
(see TH 64) |
| External Links |
Internet Music Score Library
Project
(downloadable score) |
No. 5. Capriccioso (Каприччиозо)
| Catalogue References |
TH 133 ;
ČW 121 |
| Date |
September–October 1873 |
| Key |
B♭ major |
| Tempo/Section Listing |
Allegretto semplice (B♭ major,
150 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow: Glinka State
Central Museum of Musical Culture (ф. 88, No.
111) |
| First Publication |
Moscow: P. Jurgenson,
1874 |
| Average Duration |
4 minutes |
| Dedication |
Eduard Langer
(1835–1905) |
| External Links |
Internet Music Score Library
Project
(downloadable score) |
No. 6. Thème original et variations (Тема и
вариации)
| Catalogue References |
TH 133 ;
ČW 122 (as "Theme and
Variations") |
| Date |
September–October 1873 |
| Key |
F major |
| Tempo/Section Listing |
Andante con moro (F major, 341 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow: Glinka State
Central Museum of Musical Culture (ф. 88, No.
111) |
| First Publication |
Moscow: P. Jurgenson,
1874 |
| Average Duration |
11 minutes |
| Dedication |
Herman Laroche
(1845–1894) |
| External Links |
Internet Music Score Library
Project
(downloadable score) |
History
Composed at the request of
Petr Jurgenson [1],
and completed 27 October/8 November 1873 in
Moscow (according to the date on manuscript).
Rough sketches for two of the pieces—Nocturne (No. 4) and Capriccioso
(No. 5)—are found in the same copybook as sketches for the opera
Vakula the Smith (1874), the
String Quartet No. 2 (1874), and
the Six Pieces on a Single Theme (Op. 21) (autumn
1873). It is possible that some of the Op. 19 pieces were written during the
summer of 1873 at Kamenka. In his
diary entry for 11/23 July 1873 [2], Tchaikovsky noted down themes for a projected
Symphony in B♭ major, which Tchaikovsky used in the Capriccioso
(No. 5).
Some time later (around 1888), Tchaikovsky made an arrangement for cello
with small orchestra of the Nocturne
(No. 4) for Anatolii Brandukov,
from a transcription for
Wilhelm Fitzenhagen [3].
Each piece is dedicated to a different person: Evening Reverie (No.
1)—to Nikolai Kondat'ev;
Scherzo humoristique (No. 2)—to
Vera Timanova; Album Leaf (No.
3)— to Anna Avramova; Nocturne
(No. 4)—to Monika Terminskaia; Capriccioso (No. 5)—to
Eduard Langer; Thème original
et variations (No. 6)—to Herman
Laroche.
The piece Rêverie du soir was performed for the first time by
Nikolai Rubinstein in
the presence of the author on 22 February/6 March 1874, and the Thème original
et variations by Hans von Bülow
in early/mid April 1874 [4].
Published by Petr Jurgenson
in January 1874 as separate numbers, and in May 1874 as a single volume.
From:
Музыкальное наследие Чайковского (1958), pp. 398–399
English text copyright © 2006 Brett Langston
Notes:
- See letter 326 to
Vasilii Bessel, 28 November/10
December 1873 [back]
-
Дневники П. И. Чайковского (1923), p. 3
[back]
- The autograph was discovered in
Anatolii Brandukov's
archives after his death, and transferred to the Klin House-Museum Archive.
In the autograph the cello part is written in
Brandukov’s hand
[back]
- See letter from Hans von Bülow
to Louise von Weltz, published in
Marie von Bülow, Hans von Bülows
Leben. dargestellt aus seinen Breifen. 2. Aufl. (Leipzig. 1921),
p. 271 (letter from Kharkov to
Louise von Weltz) [back]
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