| TH |
Opus |
Title |
Original Composer |
Description |
Year |
| 167 |
— |
Menuetto capriccioso |
Carl Maria von Weber |
Third movement of the Piano Sonata No. 2 in A♭ major (Op. 39), arranged for orchestra.
|
?1863 |
| 168 |
— |
Kreutzer Sonata |
Ludwig van Beethoven |
Opening of the first movement of the Sonata for Violin with Piano
in A minor (Op. 47), arranged for orchestra |
1863/64 |
| 169 |
— |
Symphonic Studies |
Robert Schumann |
2 numbers from the Symphonischen Etuden (Op. 13) for piano,
arranged for orchestra.
|
1863/64 |
| 170 |
— |
Le retour |
Johann Gung'l |
Waltz, arranged for orchestra |
?1864 |
| 171 |
— |
Maria-Dagmar |
Aleksandr Dubuque |
Polka for piano, arranged for orchestra |
?1866 |
| 172 |
— |
I Remember All |
Yelizaveta Tarnovskaya, arr. Aleksandr Dubuque |
Romance, arranged for piano duet |
?1866/67 |
| 173 |
— |
Festival March |
Karel Král |
Piano piece, arranged for orchestra |
1867 |
| 174 |
— |
Little-Russian Kazachok |
Aleksandr Dargomyzhsky |
Orchestral fantasia, arranged for solo piano |
?1867 |
| 175 |
— |
Le domino noir |
Daniel-François-Esprit Auber |
Additional recitatives and introduction to a chorus for the opera |
1868 |
| 176 |
— |
Fifty Russian Folk-Songs |
|
Harmonized and arranged for piano duet |
1868–69 |
| 177 |
— |
Ivan the Terrible |
Anton Rubinstein |
Characteristic musical picture (Op. 79), arranged for piano duet |
1869 |
| 178 |
— |
O, del mio dolce
ardor |
Christoph Willibald Gluck
(attributed to Allesandro Stradella) |
Aria from the opera Paride ed Yelena , arranged for orchestra |
1870 |
| 179 |
— |
Le faccio inchino |
Domenico Cimarosa |
Trio from the opera Il matrimonio segreto, arranged for orchestra |
?1870 |
| 180 |
— |
Don Quixote |
Anton Rubinstein |
Comic musical picture (Op. 87), arranged for piano duet |
1871 |
| 181 |
— |
Perpetuum mobile |
Carl Maria von Weber |
Adaptation of the Finale from the Piano Sonata No. 1 in C major (Op.
24) |
?1871 |
| 182 |
— |
Children's Songs on
Russian and Ukrainian Melodies |
Mariya Mamontova |
Harmonized and edited |
1872–77 |
| 183 |
— |
65 Russian Folk Songs |
Vasily Prokunin |
Revised and edited |
1872–73 |
| 184 |
— |
Ballade vom Haideknaben |
Robert Schumann |
Declamation with piano (Op. 122, No. 1), arranged for orchestra |
1874 |
| 185 |
— |
Gott Erhalte Franz
den Kaiser |
Joseph Haydn |
Austrian National Hymn, arranged for orchestra |
1874 |
| 186 |
— |
Der König von Thule |
Franz Liszt |
Ballad for voice with piano, arranged for orchestra |
1874 |
| 187 |
— |
Gaudeamus Igitur |
|
Student song, arranged for male chorus with piano accompaniment |
1874 |
| 188 |
— |
The Marriage of Figaro |
Wolfgang Amadeus Mozart |
Opera buffa in 4 acts, edited and translated into Russian |
1876 |
| 189 |
— |
The Golden Cloud
Did Sleep |
Aleksandr Dargomyzhsky |
Trio for voices with piano, arranged for orchestra |
?1876 |
| 190 |
— |
Complete Church Music |
Dmitry Bortnyansky |
Editing and arranging of ten volumes |
1881 |
| 191 |
— |
Glory |
Mikhail Glinka |
Chorus from the opera A Life for the Tsar, arranged for unison
choir and string orchestra |
1883 |
| 192 |
— |
Overture-Fantasia |
Herman Laroche |
Orchestrated.
|
1888 |
| 193 |
— |
Ungarische Zigeunerweisen |
Sophie Menter |
Arranged for piano and orchestra |
1892 |
| 194 |
— |
It's Not the Wind
that Bends the Branch |
|
Harmonisation of the Russian folk-song |
1893 |